Invasive Species Exhibition
Invasive Species is an ongoing series of photographs, animations, and augmented reality created from plastic debris along the Florida coastline. These works symbolize our interspecies entanglements with plastics, human activity, and the environment, and considers these entanglements as both highly problematic and rich in possibilities.
As Seen In Florida and INPHA
My photographic series Deadland was recently included in the exhibit AS SEEN IN FLORIDA at Snap!.
The series was also included in the publication Manifest International Photography Annual 8
Glitch is the Soul in the Machine
Dazzle Camouflage, included in the exhibition Glitch is the Soul in the Machine, is currently on view at Minneapolis College of Art and Design.
Glitch is the Soul in the Machine is an international exhibition showcasing emergent forms of new media art that playfully reveal the way digital technologies influence our perception of reality even as they corrupt the practice of everyday life. If, as conference exhibition curator Mark Amerika suggests in his “Glitch Ontology” manifesto-performance, “Glitch is the soul in the machine,” then how do works of contemporary art reveal what is broken, dysfunctional, hacked and cracked in our information-saturated culture?
Invasive Species at Digital Art Month Miami
Invasive Species AR filter was recently exhibited at Digital Art Month Miami 2020 Curated by Contemporary Digital Art Fair
Invasive Species (Bottle Caps): Touch the screen to wear different masks made from images of bottle caps found along the Florida Atlantic Coast. https://www.instagram.com/ar/883813112156460/
Florida Dreams at Fresh as Fruit
Documentation of Florida Dreams at Fresh as Fruit Gallery
Breathe the Machine at ELO2020
Breathe the Machine – interspecies morph edition at ELO 2020
A collaborative group composed of a prose writer (Teresa Carmody), new media artist (Matt Roberts), 3-D animator (Dengke Chen), and poet (Terri Witek) enter your personal computers and suggest that in this particularly viral moment, individual breaths + machines may be the closest we get to community touch.
Project Website https://btm19.weebly.com/
Zoom Recording
Breathe the Machine at ELO 2020 from Matt Roberts on Vimeo.
Interspecies video conference
Dazzle Camouflage at Snap! Space
A few photos of Dazzle Camouflage at City Unseen 2.0 and an Orlando Sentinel article about the exhibition.
Breathe the Machine &Now Festival
Breathe the Machine was recently exhibited at &Now Festival of Innovative Writing at the University of Washington Bothell
A recent West Volusia Beacon article about the project when shown at Stetson University
Walking the Wrack line
Between January and August, new media artist Matt Roberts and poet Terri Witek traversed Canaveral National Seashore from the north boundary at Apollo Beach (New Smyrna) to the southern boundary at Playalinda Beach (Titusville). Their wanderings covered 24 miles of shoreline and an ever-changing wrack line. Roberts translated their experiences via video and still photography; Witek used text and voice: their collaborative show combines image, text, and sound in a site-specific installation at Canaveral’s historic Shultz-Leeper house (formally owned by artist Doris Leeper). Walking the Wrack Line is a cooperative venture: between Canaveral National Seashore, and Stetson University’s Institute for Water and Environmental Resilience, whose grant funded the project. In environmental terms, Walking the Wrack Line considers the interspecies entanglements we witnessed as both highly problematic and rich in possibilities. Philosophically, the wrack line reads like a long, connected treatise on both beauty and danger. As Dr. Wendy Anderson reminds us: “At a certain size, plastic and silica glint the same.” “Until you eat it,” adds Laura Henning, Chief of Interpretation and Visitor Service for Canaveral, pointing out how ocean and land continue both to toxify and sustain each other. As a visible reminder of how species interact, the wrack line has become, it seems to Roberts and Witek now, an EKG of our time on the planet.
Invisible instruments at City Unseen
Recent exhibition of Invisible Instruments at City Unseen
Photos by http://www.emilyjourdan.com/
Dream Garden Austin Peay State University
A new garden planted at Austin Peay Department of Art and Design
Dream Garden Summer 17
New Dream Gardens planted this summer
Currents New Media 2017, Santa Fe, New Mexico
ISEA 2017, Manizales, Colombia
Disquiet International, Lisbon, Portugal
ELO 2017, Porto, Portugal
ARTBORNE Collaboration
Terri Witek responds to images from Unfolding for a collaboration in ARTBORNE Magazine.
OMA Florida Prize Interview
An interview for the Orlando Museum of Art Florida Prize in Contemporary Art exhibition.
Dream Garden Interview
A segment from an interview about Dream Garden which is part of the 2016 Florida Prize in Contemporary Art at the Orlando Museum of Art.
The Strangers
Burdened by history and our own expectations, art can become settled in space/place. The Strangers invites Orlando Museum of Art visitors to re-meet some familiar OMA holdings. Museum-goers are invited to download the free Layar app on their smartphones and through brief augmented reality encounters get to unknow the collection.
Dream Garden at Art In Odd Places Orlando
A few images from a recent presentation of Dream Garden at AIOP Orlando. Dream Garden Orlando allows participants to text a 7 word dream, which is collected on the Dream Garden website and planted in a augmented reality “garden” at the Orange County Regional History Center.
Unknown Meetings at ISEA 2015 Vancouver Canada
Documentation of a recent installment of Unknown Meetings in Vancouver’s SkyTrain Metro line during ISEA 2015
Unknown Meetings at xCoAx 2015 Glasgow Scotland
Documentation of a recent installment of Unknown Meetings in the Glasgow Subway for xCoAx 2015
Unknown Meetings at Univeristy of Florida
A recent performance and site-specific installation of Unknown Meetings at the University of Florida.