A recent performance and site-specific installation of Unknown Meetings at the University of Florida.
Unknown Meetings is a site-specific augmented reality project that takes as its premise the awkward and surreal encounters that daily occur on commutes. Designed by new media artist Matt Roberts and poet Terri Witek for local transportation systems riders activate via smart phone both an “unknown” object moving over the actual landscape and an accompanying brief poetic audio file which considers such encounters.
These are activated whenever the train approaches a station. Commuters use the free Augmented Reality app Layar on their smart phones to see a floating image—usually an out-of-place object –and hear a brief accompanying text. Stations are nexuses of anxiety when we commute—is this our stop? By floating objects and words that offer still more unexpected juxtapositions, Roberts and Witek try to shift the anxiety of arrival into a consideration of moving “connections.”
Documentation of EMP performing at the Creative City Project 2014
Portable NES Controller
8-bit chiptune cart
Vibram shoes invited me to be part of their #soundofstrong campaign for the Boston Marathon 2014. I modified my work Waves to visualize the start of the race using vibration data from the starting line of the marathon.
For the Month of April 2014 Fire Dreams will be part of the O, Miami poetry festival. A collaboration with Poet Terri Witek, Fire Dreams is an augmented reality project for mobile devices. Participants can locate dreamers throughout the city of Miami, see our poem/image collaborations, and contribute a seven word dream of their own. Visit the Fire Dreams website to find out more…
Video and photo documentation of our EMP performance at Creative City Project, Oct 25th 2013 in downtown Orlando. Performing Members were be Jacob Frisenda, Joe Palermo, and Matt Roberts. For this performance students Joe Palermo and Jacob Frisenda used contact microphones and custom software to transform shopping carts into musical instruments. To accompany the sounds created by the shopping cart Frisenda and Roberts created a synchronized audio/visual performance. To create the synchronized performance the Palermo, Frisenda and Roberts created their own software instruments and used commercial sound software as well. The shopping carts were also outfitted with portable power and audio/video equipment which enabled the group to move around the city to create impromptu performances in public spaces.
EMP: Electronic Mobile Performance is a collaborative, multimedia project involving faculty and students from Stetson’s Digital Arts program. The group’s primary mission is to explore collaborative artistic production using new technologies, and to find new ways of presenting art outside of traditional venues. EMP is directed and founded by Matt Roberts.
A collaboration between my Adv Interactivity class and the Theatre Program’s production of Vinegar Tom. For this production my students created their own video projection mapping software to project their videos onto 5 different location on the stage.
This project takes as its premise that when we walk through cities, our bodies enter the dreams of other people who’ve walked there. New media artist Matt Roberts and poet Terri Witek map the city by floating various “dreamers” over interesting metropolitan spaces. City wanderers then follow this walkable dream map via an augmented reality phone app. Along the way, they are offered chances to see a dream, hear a dream, text a dream of their own, send a photo, and perform various other transmittable acts. These become part of the living dream map of the city.
How it works:
This project uses Layar a free augmented reality application for mobile devices. Participants can download the Layar app and follow the Fire Dreams map, which is designed as an international project adaptable to any urban space.
a few images from last weeks sketch book posted on tumblr http://ibmattroberts.tumblr.com/
My work Waves was listed in this article about art works that utilize real-time data. Make sure you check out the inspiring works listed in the article. I am honored to be amongst amongst such great works!
I recently attended the FILE festival in Sao Paulo, Brazil. There I exhibited my work Waves and participated in the FILE symposium. I took a few shots of my work with my iphone cam so the quality is not that great but it will give you a sense of the installation. Honored to be part of such a great festival and to have exhibited with some fantastic artists.
This artwork responds to the current size and timing of the waves of the closet ocean of its current location. Every half hour the most current data from the closet ocean buoy station is downloaded. Custom software uses the current wave height and dominant wave period data from the buoy and transforms that information into a low frequency sound wave. As the size and timing of the waves in the ocean change so does the frequency of the sound waves produced by the software. These sound waves shake a bowl of water sitting on top of a speaker. This shaking produces wave patterns in the bowl that are captured by a video camera modified by the software and projected onto a wall. As the waves in the ocean change size and frequency the waves in the bowl will also change. This results in continuous variations of the shapes and patterns that one sees and hears which also reflects the constant changing conditions of the ocean.
Waves can be shown in various forms, below are examples of works driven by real-time wave data
Wind is a continuation of my interest in visualization of real-time weather data. This work responds to real-time wind data from the National Weather Service to create a moving abstract image.
Final projects from my class DIGA 231 Interactivity and Art. This is an introductory class where students learn how to program their own interactive software using MAX/MSP and how to use Arduinos. Students also learn how to use a variety of switches and sensors such as distance, light, pressure, knock, temperature, RFID and heart rate sensors.
Some test screen shots from a new piece I am working on that uses real-time wind data to generate new images
In November 2010 I participated in the Digital Arts Festival Taipei 2010. I was invited there by the 404 Festival and I presented my work Every Step. For the opening weekend I met with participants and outfitted them with cameras to create animations, you can see all the animations created by participants here.
I have a solo show coming up at the Duncan Gallery of Art at Stetson University. The show, entitled Waves Walks, features two bodies of work. A series of works that uses real-time wave buoy data as a means for generating sounds and images and a series of work based on walking. The opening is August 27 6:00-8:00pm and runs until the 28th of October. Below are some in progress installation shots.
The two pieces pictured below use real-time wave height and period data from wave buoys off the coast of Florida. Using custom software the buoy data is translated into low frequency sound waves. The sound waves shake objects such as bowls of water, these objects respond to the sound waves by creating abstract patterns.
I created software that abstracts images I took while swimming in the ocean. Each projection has a design element which changes size according to the current size of the waves off the coast of Florida.