Dazzle Camouflage

Dazzle Camouflage is a mode of camouflage that uses confusion rather than concealment as its method. Developed in the early 20th century, Dazzle Camouflage was often added to naval ships, which were painted to feature perplexing black and white patterns. In these uncertain times with access to immense amounts of information and when terms such as fake news, deep fakes, alternative facts are becoming part of our lexicon, we often find that the true meaning of our inquiries as with all our desires is concealed by confusion.

To participate a user can enter a search word or hashtag to search Twitter. The frequency of the word on Twitter is used to generate black and white patterns. The software will continue to search for the word on twitter and create more complex patterns as the frequency of the word increases.

 

 

Dazzle Camouflage at Snap! Space

A few photos of Dazzle Camouflage at City Unseen 2.0 and an Orlando Sentinel article about the exhibition.

Breathe the Machine &Now Festival

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Breathe the Machine was recently exhibited at &Now Festival of Innovative Writing at the University of Washington Bothell

A recent West Volusia Beacon article about the project when shown at Stetson University

 

Deadland

Deadland is the moniker of a small Florida town where I live. Taken at night, these photographs document abandoned businesses found throughout the Florida landscape–places once part of our daily routines, now empty shells of desire. These abandoned buildings surrounded by black stand as ghosts of progress, the remnants of capitalism.

Invisible Instruments

Invisible Instruments
A digital microscope and custom video mapping software let participants project microscopic parts of themselves coupled with short poetic text onto large architectural objects. This collective public performance with three layers—edifice, miniature, and wandering signage—-shows what happens when a public space is overwritten by an ephemeral and intimate one.

A collaboration between new media artist Matt Roberts and poet Terri Witek

Dream Garden

 

Description:
Dream Garden is a site-specific project to gather, graft and nurture a city’s dreams.   Each time a city dweller texts a 7-word dream (a poetic form moving private experience into public space), that dream automatically joins others both in a “garden” (a designated physical location in the city) and online at inthedreamgarden.com.   The project shows how how some community resources– like citizens’ dreams — can inhabit and expand a space without wounding it, colonizing it or wasting natural resources.  As a political space, it’s urban renewal and greening without displacement.  As a philosophical space it suggests that dreaming together may change a city and even a country.  As a community garden it suggests that our dreams aren’t wasted—they are growable, transplantable, and in the poetic space of the project, both virtual and real.

How it works:
This project uses Layar, a free augmented reality application for mobile devices. Participants can download the Layar app and see their texted dream joined with others in site-specific locations. The international project is designed to adapt to any urban space.

This is a collaborative project with poet Terri Witek and software developer Michael Branton. For more information about the project visit inthedreamgarden.com

Walking the Wrack line

Between January and August 2018, new media artist Matt Roberts and poet Terri Witek traversed Canaveral National Seashore from the north boundary at Apollo Beach (New Smyrna) to the southern boundary at Playalinda Beach (Titusville). Their wanderings covered 24 miles of shoreline and an ever-changing wrack line. Roberts translated their experiences via video and still photography; Witek used text and voice: their collaborative show combines image, text, and sound in a site-specific installation at Canaveral’s historic Shultz-Leeper house (formally owned by artist Doris Leeper). Walking the Wrack Line is a cooperative venture: between Canaveral National Seashore, and Stetson University’s Institute for Water and Environmental Resilience, whose grant funded the project. In environmental terms, Walking the Wrack Line considers the interspecies entanglements we witnessed as both highly problematic and rich in possibilities. Philosophically, the wrack line reads like a long, connected treatise on both beauty and danger. As Dr. Wendy Anderson reminds us: “At a certain size, plastic and silica glint the same.” “Until you eat it,” adds Laura Henning, Chief of Interpretation and Visitor Service for Canaveral, pointing out how ocean and land continue both to toxify and sustain each other. As a visible reminder of how species interact, the wrack line has become, it seems to Roberts and Witek now, an EKG of our time on the planet.

 

Breathe the Machine

The FaaS were future-oriented.  Every day, they contemplated the question: what kind of ancestor will you be?

A collaboration between prose writer Teresa Carmody, new media artist Matt Roberts, 3-D animator Dengke Chen, and poet Terri Witek. In Breathe the Machine, we repurpose computers in an existing university lab to respond to human breath. Blow on the computer; something happens. The computer lab becomes an installation, an archive of a near future where some creatures have learned to morph. With each breath, the individual computers send data to a hub computer, co-creating a story displayed on a larger screen (projected on wall of lab). Simple biological actions momentarily converge human and mechanical worlds.

Invisible instruments at City Unseen

Recent exhibition of Invisible Instruments at City Unseen

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Photos by http://www.emilyjourdan.com/

Construction

These aerial photographs, made by deploying drone technology, show temporary marks left by the earth-moving equipment used to clear land for central Florida’s ever-sprawling housing developments. The photographs document tenuous moments between deforestation and soon-to-be constructed houses. These traces may be brief, but what they mark will be consequential and much more long lasting.

Drift

Drift:
A poetic record of ambles along the Florida coast. This series of work is made by walking without a final destination along the Florida coastline and recording each walk with a camera and GPS. The final reflection of each walk is realized as a mix of photographic prints, photogrammetry,video projection mapping, generative software and 3D printing.

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Drift (Canaveral National Seashore)
archival pigment print 24”x91” & video projection, custom generative software, 3D print

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Drift (Canaveral National Seashore)
archival pigment print 24”x91” & video projection, custom generative software, 3D print

DSCF6950 Drift (Canaveral National Seashore)
archival pigment print 24”x91” & video projection, custom generative software, 3D print

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Dream Garden Austin Peay State University

A new garden planted at Austin Peay Department of Art and Design

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Dream Garden Summer 17

New Dream Gardens planted this summer

Currents New Media 2017, Santa Fe, New Mexico

ISEA 2017, Manizales, Colombia

Disquiet International, Lisbon, Portugal

ELO 2017, Porto, Portugal

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Dream Garden at ACA

Launch of a new Dream Garden at the Atlantic Center for the Arts and an artist talk

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ARTBORNE Collaboration

Terri Witek responds to images from Unfolding for a collaboration in ARTBORNE Magazine.

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Unfolding


Excerpts from a 45 minute performance (4:40 min)

Unfolding is an improvised audio visual performance featuring Satoshi Takeishi and Matt Roberts. Takeishi performs with a prepared hammer dulcimer to create a mysterious and alluring soundscape, while Roberts accompanies Takeishi’s musical improvisations with real-time animation and video projection.


Full performance (40 min)

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Satoshi Takeishi, drummer, percussionist, and arranger is a native of Mito, Japan. His art explores multi-cultural, electronics and improvisational music with musicians and composers from around the world. Takeishi has appeared on over 75 recordings including those by Latin giants Nestor Torres, Ray Barretto, Hector Martignon and Eliane Elias (in the film, “Calle 54”). He has also performed with Laszlo Gardony, Shoko Nagai, Dave Liebman, Badal Roy, Erik Friedlander, Cantor, Sasha Argov, Colombian saxophonist Antonio Arnedo, Paul Winter, Antony Braxton, Theo Bleckmann/Ben Monder, Joel Harrison and Rob Brown.

Matt Roberts is a new media artist specializing in locative media, physical computing, augmented reality, and real-time video performance. His work has been featured internationally and nationally, including shows in Taiwan, Brazil, Canada, Argentina, Italy, Mexico and nationally in New York, San Francisco, Miami, and Chicago. He was awarded the Transitio Award by the International Transitio_MX Festival in Mexico City, and his work has been reviewed in New York Times, Wall Street Journal, and Miami Herald. Roberts received his MFA from the University of Illinois at Chicago, and is currently an Associate Professor of Digital Art at Stetson University, DeLand, Florida.

OMA Florida Prize Interview

An interview for the Orlando Museum of Art Florida Prize in Contemporary Art exhibition.

Dream Garden Interview

A segment from an interview about Dream Garden which is part of the 2016 Florida Prize in Contemporary Art at the Orlando Museum of Art.

The Strangers

Burdened by history and our own expectations, art can become settled in space/place. The Strangers invites Orlando Museum of Art visitors to re-meet some familiar OMA holdings. Museum-goers are invited to download the free Layar app on their smartphones and through brief augmented reality encounters get to unknow the collection.

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Dream Garden at Art In Odd Places Orlando

A few images from a recent presentation of Dream Garden at AIOP Orlando. Dream Garden Orlando allows participants to text a 7 word dream, which is collected on the Dream Garden website and planted in a augmented reality “garden” at the Orange County Regional History Center.